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The True Cost of Home Studio Photography

Built with Sweat, Sacrifice and a Whole Lot of Heart.

1. Original space professional portrait studio in Singapore 2. Eliminated sunlight from windows professional portrait studio in Singapore 3. Studio is ready professional portrait studio in Singapore
Above: The transformation of my home into my humble photo studio when there's fewer furniture


Introduction

First of all, thanks for taking the time to check out the behind-the-scenes process of setting up my home studio. Spoiler alert: it's not all glamorous lighting and perfectly smooth backdrops—it's more like a workout that doubles as art.

On a more personal note, my wife and I have had to make some tough calls to keep the studio up and running. We both dreamed of having a cosy, functional home where we could host friends and family. But with the studio taking up space, we've had to push that vision aside. Big furniture? Out of the question. Everything has to stay portable and easy to move around. It's not ideal, especially since we'd always imagined making our home fully functional. I feel bad about the compromise, especially for my wife, but for now, the studio takes priority—and we're making it work.

The Tedious Reality of Setting Up My Home Studio

A home studio setup might seem simple—until you're the one sweating through half a day of prep. From rearranging furniture to chasing perfect light, it's a full-body workout long before the camera's even switched on. And the client? They haven't even arrived yet. Here's what that madness looks like behind the scenes.

  1. Concept Planning Takes Mental Gymnastics

    Every shoot begins with deep thought—not just about poses or outfits, but the exact mood, lighting style, and visual tone we want to create. This means spending hours mentally mapping out the most suitable gear: backdrop colours, types of softboxes, lighting modifiers, and more. It's not a one-and-done deal—ideas evolve, and the setup has to evolve with them.

  2. Furniture Tetris

    Once the creative direction's locked in, it's time to reconfigure the space. That means shifting furniture—often repeatedly—just to make room for the backdrop and lighting. In a compact Singaporean home, this becomes a real-life game of Tetris with zero margin for error.

  3. Cleaning to Protect the Gear

    Before any gear goes up, I do a quick clean. Not for looks—but to prevent dust and dirt from getting onto sensitive equipment, fabric backdrops, or cables. Clean floors mean safer gear and fewer editing headaches later. It also ensures my clients feel comfortable in a tidy space.

  4. Backdrop Setup: The Unexpected Time Thief

    This one's a beast. I've got to mount the system securely, align it perfectly, and then battle the cloth backdrop—steaming or stretching out those stubborn creases. This task alone can take longer than anything else. Any professional photographer knows: get it right in-camera, or suffer later in post.

  5. Lighting Setup: Not a Plug-and-Play Deal

    Each light—whether a softbox, beauty dish, or strobe—takes 15 to 20 minutes to assemble and position. Multiply that by three to five light sources (or more), and the setup time becomes a serious commitment. And that's before the tweaking even begins.

  6. Light Testing and Final Adjustments

    With everything in place, it's time for test shots. I fine-tune exposure, adjust angles, and tweak lighting ratios. Sometimes it flows, other times I need to tear down and redo parts of the setup to get the look just right. It's all part of the process.

Restoration of my Home

  1. Dismantling Everything

    After hours of shooting, there's no rest. Every single piece of equipment needs to be carefully dismantled, packed away, and stored properly. This can take another few hours, especially when fatigue begins to set in.

  2. Cleaning Up the Space Again

    Once the gear is cleared, the studio (read: my home) has to be cleaned and reset so it's liveable again. It's a part clients rarely see—but it's essential, and time-consuming.

  3. Injuries Are Just Part of the Job

    Heavy gear, sharp edges, awkward lifting angles—it's a recipe for scrapes, bruises, and the occasional pulled muscle. Velcro scratches and finger pinches are common. I've lost count of how many times I've cut myself setting up lights or caught my hand in a backdrop clamp. It's all in the name of getting that one perfect frame.

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- Disadvantages of being a freelance photographer

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Updated: Thu, 03 July 2025

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